Thursday, February 26, 2009

welcome to the Panopticon! what, you didn't know? we have arrived!

http://mashable.com/2009/02/21/social-media-better-people/

This article by Peter Cashmore briefly points to the many ways in which our public actions and conversations are vulnerable to capture and re-presentation by more than just CCTV... for example, if anyone with a cellphone can catch you in the act of doing something socially distasteful, then broadcast and ultimately humiliate or shame you via YouTube or some other social media network, then will web 2.0 social media become the omnipresent Big Brother, the watching eyes and ears that ultimately train us to become better (nicer on the outside) people?

Wednesday, April 16, 2008

Physical Demarcations of Space in Toronto

Demarcated spaces or neighbourhoods are evident in every city around the world. The rich-poor divide which has embedded class and ethnic characteristics. However in most cities the demarcation of space is an invisible barrier, whereby every neighbourhood has a pre-established use. What i found interesting in the city of Toronto is an example of a physical demarcation of space in a neighbourhood already well known for its elite status - Bloor-Yorkville. Cemented into the pavement of the neighbourhood's major intersections , for example Avenue Rd. and Bloor St. is a sign demarcating this space as "Bloor-Yorkville". The pre-established notions of the Bloor-Yorkville neighbourhood as being one of Toronto's highest end shopping, entertainment, and living quarters, transforms these signs into a much more dynamic demarcation of space.
Are these signs insinuating that once entering this neighbourhood can only certain people enjoy its amenities, thus creating a physical rich-poor divide. Or do these signs create feelings of superiority among those who are able enjoy the luxurious amenities this neighbourhood as to offer. Whatever the feelings may be among those who can enjoy and among those who simply walk through, the physical demarcation of space through the use of a sign within our city's pavement has transformed the invisible barrier of this elite neighbourhood into a physical divide, one people physical cross when the walk passed this embedded sign.
I wonder if any one could think of any other physical divides that characterize Toronto's city scape?

Tuesday, April 15, 2008

The Flaneur



I was in London back in February and was just looking through the Lonely Planet guide and stumbled upon a restaurant named The Flaneur. The restaurant claims to be based on the essence of the Flaneur, who is a rich person that didn't need to work and that spent their time strolling around markets to show off their wealth. "A sign of just how much time you had to idle around used to be sometimes seen by people having a tortoise on a lead! We have brought this concept back by filling our shelves with artisanal & fine foods, so bringing the essence of the "Flâneur" to Farringdon."


The owners wanted to go for a feel where you could come sit in and watch people and enjoy a slow meal. But isn't the whole point of the flaneur so that you DON'T have some restricted framework guiding your actions and thoughts? So then, in wanting to achieve what the flaneur achieves, by walking idle around the city and interacting with everything for only short amounts of time, the restaurant actually fails.

I am by no means trying to critique the restaurant but just found it interesting to our discussions in the course. In a metropolis like London, I don't find it surprising at all that some people want to recreate the feel of the old bourgeoisie class in creating this restaurant, but from what we learned about what a flaneur is and how he lives and interacts with his surrounds, it seems incorrect to call this restaurant The Flaneur. Am I wrong in thinking so? Or could the concept of the Flaneur be changing when applied to a metropolis already full of people walking idle, and having a life full of only brief and rapid interactions with everything along its path? Could we call it a new postmodern flaneur character, one that actually sits and doesn't really interact with anything, if only to watch it from afar and actually not partake in the rapid city life? Instead of walking idle and interacting with the city, like the Flaneur in Paris of the 18th and 19th century, maybe London can bring this character some new definition and into the current century.



Walking Advertisements

The other day at the corner of St George and Bloor I saw something quite new, well at least to my eyes, this might have been going on for a while already but I only recently discovered it. It was something simple really, something we always see but something that I started questioning for the first time in a different way. It was a mannequin. However, unlike most that I see in store fronts sporting the latest fashions, this one was just there, at the corner, all by its lonesome self. Interestingly though, I think it was actually there on purpose. It was positioned to look like it was running and had one foot bolted into the ground. It was dressed all in black (black tshirt and black shorts, yet it had one logo on the front of its shirt). I wish I had taken a picture because my memory fails me as to what the tshirt said, but nonetheless it looked like an advertisement.

This got me thinking about how advertising companies have really changed, especially in larger cities like Toronto, and how such an ad could change what we talked about in class regarding street life and street dynamics. On a regular basis we're subjected to ads be it on posters, pasted on buildings, on billboards, in newspapers or even on other people, but now it seems to have come to life in a sense. It's not only on a flat screen but in the middle of the road forcing us to interact with it. People would slow down, look at it, trying to figure out what it was and I think in that it succeeded as a good advertising tool. It is still novel and so people are reacting to it and taking notice of it, but it makes me question what would be the next step up after the novelty wears off of this? What new 'characters' will be added to the street next and how will our forced interactions with them change our perceptions of the street?

I don't think it is entirely new what companies are doing now in order to sell their products. I remember a couple of years back reading about how Sony was using new tactics to sell its new phone, the first of the Ericsson series. Basically it would have a confederate walk the streets and ask people to take pictures of him/her with their new phone. And as he/she would hand their phone over to the willing citizens, they would get them to interact with the phone and hopefully spark their interest into buying it or at least inquiring about it.

This mannequin has worked in the same sense. Here I am, still talking about it, and I saw it weeks ago!

Saturday, March 08, 2008

Winter Everlasting

Toronto- March 2008



















Anywhere Else You Would Rather Be??

Friday, February 22, 2008

Manhattan Timeformations

Manhattan Timeformations is an online representation of the Manhattan’s urban space. The project utilizes 3D computer modeling to “depict the dynamic relationship between Manhattan's skyscrapers and other layers of urban information such as geologic formation, settlement patterns, landfill, transportation and communications infrastructure, zoning laws and real estate cycles.”

This digital project adds a wholly new dimension to the panoptic gaze of the city. The versatility of this utility allows one to appreciate Manhattan from not only a traditional cartographic perspective, but also from new and unusual angles, such as this perspective fly-through.

In Transparent New York, the urban infrastructure of Manhattan is dissected neatly into layers which can be viewed individually or together.

The virtual space of Manhattan Timeformations introduces a new way of seeing the city. It enables one to literally see through all the steel and concrete, and appreciate the spatial and geographic organization of the city in an elegant and purely geometric form.

Saturday, January 26, 2008

McDonald's in Beijing

An article by Yunxiang Yan entitled "McDonald's in Beijing: the Localization of Americana" highlights how global culture is not simply an homogenization of culture, but rather functions as a bridge which links the foreign culture with a local culture. The introduction of new global/foreign culture occurs through transnational corporations such as McDonald's. What is unique about the Yan article is that it there is not only emphasis on how the global culture alters local traditions/behaviours. But how global cultures also go through a localization process to essentially make the foreign culture a local tradition. It is through examples such as these that one can see globalization and urban cities as centres of culture growth a change. They are able to remain dynamic and local culture is not completely lost due to the introduction of foreign/global culture.

Tuesday, November 20, 2007

NYC Playground Movement


According to CUNY Professor Roger Hart, the playground movement in New York City (c. 1900) attempted to replace free play with formalized play - playgrounds - due to fears for the safety of children playing in the streets, but also fears of these mostly immigrant, low-income children as unassimiliated threats who needed to be occupied with more wholesome, structured activities.

Hart argues that children resisted - including by spreading broken glass on streets to slow traffic impeding play - because playgrounds failed to meet the complexity of their interests and developmental needs. He instead points to adventure playgrounds with loose parts, natural environments, and play facilitators, and community gardens with play spaces planned by children themselves as examples that support the development of a more democratic society in which children are able to "invent their own worlds" and participate in building society as opposed to simply being passive recipients of it.

On a related note, an article (registration required) published in the New York Times about a "new kind of playground" being built in Lower Manhattan is accompanied by an in-depth multimedia feature entitled "Playgrounds Grow Up" that is narrated by New York City Parks Commissioner Adrian Benepe and takes the viewer through the history of play provision in the city.

Thursday, November 01, 2007

Parkour/LOLcats


Sometimes the combination of two previously wonderful things ends in disaster: molasses & popcorn, hipsters and yashmagh, J-lo and the movies, etcetera. Every now and then, something sublime results.

Thursday, October 25, 2007

Planet in Focus Film Festival in Toronto October 24 - 28

This film festival includes a number of films listed under the "urban" theme. You can visit the website for Planet in Focus for more information. Sorry for the late post, I'm new a this. Here is the list of films I've flagged, as relevant to this blog:

The Mall on Top of My House - short playing with
Mr. Wong’s World (Die Häuser des Mr. Wong)
Thursday, October 25, 2007 - 7:30pm - Innis Town Hall
__________________
The Survivors Project: Voices from the Inside-out!
Friday, October 26, 2007 - 3:00pm - Innis College Town Hall
_________________
Gone: Bill Madden
Friday, October 26, 2007 - 7:00pm - Royal
________________
Hiyab
Friday, October 26, 2007 - 9:00pm - Royal
___________________
You Never Bike Alone
Friday, October 26, 2007 - 9:30pm - Innis College Town Hall
_________________
Weapons of Mass Production
Saturday, October 27, 2007 - 11:00am - Innis College Room 222
Saturday, October 27, 2007 - 12:00pm - Innis College Room 222
_________________
Third Ward TX
Sunday, October 28, 2007 - 5:00pm - Innis College Town Hall

Tuesday, October 16, 2007

Sunday, October 14, 2007

rich/poor divide in world cities


Found this post regarding Extreme Rich-Poor Divides in some of the world's biggest cities very interesting after our discussion on Tuesday about the upper class & "self interest". It is amazing to see such a severe visual juxtaposition of wealth.

Monday, October 01, 2007

graffiti archaeology


Graffiti is the chameleon skin of the urban landscape. Equal parts public art and vandalism, virtuosity and subversion, it is among the most ephemeral forms of human expression. Graffiti walls are repainted frequently, as different writers compete and collaborate on the public canvas. A given piece may last years, weeks, or mere hours. For graffiti writers, this is expected and in fact fundamental to their process, which they perceive as an ongoing dialogue. However, most city dwellers experience this constant change only at a subconscious level.

Artists and photographers have been documenting the changes through time of graffiti in cities like San Francisco, New York and Los Angeles. Graffiti Archaeology is an interactive timelapse collage of photographs taken at the same location by many different photographers over a span of several years.

Monday, September 24, 2007

The City, the Camera and the Optical Unconcious

Walter Benjamin believed there was a symbiotic relation between cities and the medium of film. He himself sought to describe cities in writing but he always saw this project as being a manner of translating images into words. For Benjamin, the city had to be understood as a visual panorama, or what we might call a cityscape. Photographers have long been fascinated by cityscapes and have tried to capture their richness and complexity in their art. There is a great website where you can see images of cityscapes taken using a special 360-degree camera. Some of the images are quite arresting. One of the things that gives these images their power is the fact that they record a view that is simply unavailable to the human eye at any single moment. They capture what Benjamin referred to as "the optical unconscious": a feature of the visual world that is unavailable to our ordinary perception. Check out this page for Hong Kong. Pick a location from the map and once it loads up drag your cursor over the panorama image to look around. It can be quite dizzying.

Monday, September 17, 2007

Underground City


In Fritz Lang's Metropolis, the underground city of 2027 is portrayed as a domain where the underclass works under oppressive and alienating conditions. It isn't even clear what they are producing; all we know is that the workers spend their days toiling on huge machines.

What is the underground city like today? Toronto is home to one of the world's largest underground cities, with some 27 kilometers of underground pathways located beneath the city centre. Unlike in Lang's film, however, the so-called PATH system is not a world of consumption rather than production. Beneath the towers of the metropolis are shops, food courts, and entertainment. Rather than a space of industrial regimentation, it is a space designed to maximize consumption by preventing people from finding routes back to the world above ground.

As reported in the Star, the City of Toronto has tried repeatedly to establish a system of signage that would allow PATH pedestrians to find their way from place to place, even when they don't have the benefit of seeing the exterior cityscape. But planners have only been partially successful. In the end, the PATH system may be less like a system of streets and more like a casino, where clues about one's location in space and time are reduced to a minimum, and people are encouraged to think only about what is right in front of them.

Thursday, March 08, 2007

kwaito in the city

you can listen to a documentary about kwaito here, the music all our readings about johannesburg agree is the sound of the city. as interviewees agree, it is difficult to define exactly what kwaito is, but easier to understand once you actually hear it. bonus: one of the sources they talk to is the author sarah nutall.

Wednesday, March 07, 2007

flanerie in photos

sophia t. made this set of images and text as part of her flanerie project (a walk through downtown seattle). it is a large file, about 9mb, in pdf format, so don't click on it if you are browsing by dialup. but i think it is worth a look.

new york time machine

cookie w. contributes this link to a neat site with a variety of photos of new york from the past, and new photographs from more or less the same place for comparison. it's a fun way to look at the changes (and continuities) of the city landscape.

Tuesday, March 06, 2007

campus parkour




apropos our recent readings, trevor again supplies these photos of some of uw campus's parkour practitioners: a "performative critique of the city" indeed.

Wednesday, February 21, 2007

to each his enclave

trevor sent in these thoughts for your perusal and comment.

"I had something in mind in class the other day that I didn't get around to talking about, so I wanted to post it on the blog to see if anyone had anything to say.

"When we were talking about walling off vs. being walled off - the inside-out vs. outside-in idea - I really liked Jen's analogy to prisons. It almost perfectly sums up the idea behind sequestering a certain social class - like the tenements in [Jacob Riis’ book], or the favelas in the documentary we saw [news from a personal war] - in order to make the public space more comfortable, or secure, or safe. To take the favelas for example, we look at what's going on in the area - dealers are constantly getting into confrontations with the police. Granted that particular city was a little different because of the corruption of the police force, but in places like those favelas or the tenements, people are more desperate to find ways to get by, and often end up getting in trouble. Here's the thing - in most places in the world - where do people go when they get into trouble with the police? They go to prison. It's almost like there are varying degrees of sequestering the people society is uncomfortable with. First they're walled off, in their own part of town... a favela or tenement, for example. Then, if they continue to make the rest of society (for lack of a better term) uncomfortable, they're downgraded to a more secure walled-in area - a prison.

"It also seems to me like Caldeira [in “fortified enclaves: the new urban segregation”] provides an explanation for some of the solidarity we saw in the favelas in the documentary. She says (in the middle of p. 88 for those that are interested) that "the image that confers the highest status and is most seductive is that of an enclosed and isolated community, a secure environment in which one can use various facilities and services and live only among equals." Of course they don't have the same security in the favelas that the homeowners in Sao Paulo do - on the contrary, they're usually trying to fend off the police, which invades their territory regularly. But they all stick together, and by sticking together, they manage to keep others out pretty well. Even the police (think of when the whole group followed the police when they took the young boy in the documentary). What the armed guards are to the walled-in homeowners, the people of the favelas are to each other. They can, like Caldeira says, live only among equals. and that's a symbol of status.

"Status, then, doesn't have to be about economic wealth, or prestige, or luxury. it can be about a feeling of ownership. Inside the favelas, the police technically have authority, but they don't have the status, because they don't feel like they own the area.

"Just some thoughts. If anyone has anything to add or rebut, have at it... "

Wednesday, February 14, 2007

walls in sao paulo





this week in class we are reading about walls, notably walls in sao paulo which teresa caldeira contrasts with how walls are used in, for example, los angeles. i have scanned a few of the pictures from her book to help illustrate her point. click on the pictures for a larger version; unfortunately even the originals are pretty low quality.

Wednesday, February 07, 2007

the frightful leveller hits a bump

rosie m. contributes this link to a story about a cafe in kirkland at which payment is voluntary. there are no prices at the terrabite cafe, and if you decide to give money you slip it into a black box--no one sees how much you give.

so far the "experiment" is doing pretty well, though one customer "is skeptical voluntary payment would work in larger, more anonymous places like Seattle, but in Kirkland "there's a social standard."" the owner describes his cafe as a venture to "skim the froth off the high-end economy and spread it around a little."

Sunday, February 04, 2007

small world after all


leif w. brings this timely example of city-in-miniature representation to our attention (photo: J. Fornabaio for the ny times, from their site). tim mitchell's examination of the practices of representation surrounding egypt in the colonial era notes the effects of world's fair panoramas and dioramas in habituating viewers to approach the world as a representation. the new york times published friday (feb 2nd 2007) an interesting pair of articles on an exhibition centering on the work of robert moses, aka new york's baron haussmann. while the exhibition evidently rehabilitates moses and lays much of the blame for his policies on the technological requirements of the automobile, you may want to have a look at what they say. bear in mind that despite the unintentionally poorly-worded claim that the exhibit "doesn’t shy away from Moses’ dark side" this article neglects to mention well-known aspects of the robert moses story, such as the fact that over two hundred overpasses on the long island expressway were built extra-low on his orders. once he had also vetoed an extension of the long island railroad, this meant that neither trains nor public busses (which, as he knew, were too tall to fit under the overpasses) could make the trip out to jones beach. the acclaimed 'public' park was preserved for those who owned cars--notably affluent white folks. (for fuller accounts, see caro's the power broker, or read the short gloss in winner's the whale and the reactor.)

an accompanying article in the times describes the panorama pictured above. originally created for the 1964 world's fair,

"The model was built with incredible topological and architectural accuracy. Its roughly 895,000 tiny buildings, streets, parks and bridges are made mostly of wood and plastic and all built to scale, from bridge length to park acreage to skyscraper height."

the restored model features modeling of the sun's illumination and an audio ambiance to set the mood. it is reputedly the world's largest miniature model (ahem) of a city.

Thursday, February 01, 2007

feel the art

i noted below that seattle's sculpture park demigods have determined in their wisdom that we must not touch the art. it turns out that not everyone agrees. for instance:

"[I]t's so tough you can sit on it, write on it, pee on it. 'I mean you can graffiti the [bleep] out of it. There's not much you can do to hurt it.'"

so says... the sculptor. serra is the artist who created the largest piece in the park (wake). asked whether he was bothered by kids using one of his installations as a skateboard ramp, he replied:

"Look, I'm not precious about my work, " Serra said. "I think when you put it in the public, it has to survive on its own. [...] And if it's going to be seen as art, that's one thing. If it's going to be seen as an extension of a graffiti wall or a kids' playground, that's another. But neither of those offend me."

sounds like serra is down with practice. you can read more about this in the column from which i pulled these quotes, by danny westneat at the seattle times.

Monday, January 29, 2007

city lights


sam l. sent this picture of london at night as viewed from the space shuttle. a pretty image, and it evokes schivelbusch's writing on lighting in the city, which we'll be reading soon. you can read a brief explanation of the photo here (and see it somewhat larger).

flânerie

anya p. thought that the following snippet from benjamin's arcades project (encountered in this case in edmund white's book the flâneur, p. 46) might be of interest as we do our own flânerie projects here in seattle.

"The flâneur is the creation of Paris. The wonder is that it was not Rome. But perhaps in Rome even dreaming is forced to move along streets that are too well-paved. And isn't the city too full of temples, enclosed squares and national shrines to be able to enter undivided into the dreams of the passer-by, along with every paving stone, every shop sign, every flight of steps, and every gateway? The great reminiscences, the historical frissons - these are all so much junk to the flâneur, who is happy to leave them to the tourist. And he would be happy to trade all his knowledge of artists' quarters, birthplaces and princely palaces for the scent of a single weathered threshold or the touch of a single tile - that which any old dog carries away. And much may have to do with the Roman character. For it is not the foreigners but they themselves, the Parisiens, who made Paris into the Promised Land of flâneurs, into a 'landscape made of living people', as Hofmannsthal once called it. Landscape - this is what the city becomes for the flâneur. Or, more precisely, the city splits into its dialectical poles. It becomes a landscape that opens up to him and a parlour that encloses him."

i'm afraid the book itself by white is a bit too cavalier to earn a wholehearted recommendation (it reminds me of the critique by garrison keillor of bernard-henri levy's book about america, the concise and humorless version of which is that it is overfull of pat generalizations), but it does have some interesting observations concerning the tradition of flânerie.

Sunday, January 28, 2007

solidarity and anonymity

an article in the nyt follows up the story of a brooklyn imam (muslim cleric) they did a series of articles about a while ago. he has now moved to the suburbs and is adjusting to the change. parts of the article show that the classic city/country divisions of diversity and conformity (we might think of durkheim's organic and mechanical solidarity) are alive and well.

"His congregation in Brooklyn may have been on the margins of American society, but it was deeply rooted in Islam. Muslims in Middletown were generally more assimilated but less connected to their mosque. [...] In a land of Little League and shopping malls, signs of Muslim identity are few. At first glance, Mr. Shata’s new mosque could pass for an elegant office building. It has no minaret and a barely visible dome."

on the other hand, Simmel might be surprised to find that it is in the suburbs where anonymity reigns:
"In Bay Ridge, congregants lingered after prayers, exchanging kisses and hugs. In Middletown, an air of anonymity hung over the mosque." "To be a successful suburban imam, he found, meant persuading doctors and lawyers not to rush from prayers to beat traffic."

likewise, money seems also to have found a new home in the suburbs:
"Mr. Shata uses Islamic contracts in Middletown, as he had in Brooklyn, to help settle disputes between married couples. But the money involved sometimes makes him gasp. In Brooklyn, a man had agreed to pay his wife $10 every time he insulted her. In Middletown, a similar contract brought $1,000 per insult."

have a look at the article if you can (search through a library if you can't get access directly after the link--the title is "a cleric's journey leads to a suburban frontier"). it is a pretty fair window not only into some questions of the suburbs and the metropolis, but of some real challenges facing muslims in america today. there's a slideshow, too, where in a voiceover track the imam muses about how the american suburbs remind him of his village in egypt; in opposition to brooklyn, egyptian village and new jersey suburb come closer together.

firefox settings

if you are having trouble viewing this site (especially images) in firefox, try going to preferences:content:load images and unclick 'for the originating website only.' blogger seems to be using multiple servers that firefox doesn't always recognize as one sourse.

Wednesday, January 24, 2007

art park photos




sculpture park

the much ballyhooed seattle sculpture park is open. i was one of 35,000 visitors (!) on opening weekend, and it wasn't half bad. one of the best artworks on display, kinda ironically, was a temporary installation by iole alessandrini called "greener." she skimmed planes of green laser light over the green grass terraces, and it was very cool. ironic, not only because it is a temporary work, but because after the opening rush the park will close at sundown, and the laser light is definitely better in the dark... in fact i think just about all of the park's features are better at night. i'll post a few photos.

speaking of photos--paul allen's donated claes oldenburg sculpture came with a notice on the bottom of its information plaque reading "sorry, photography of this sculpture is prohibited." after a predictable torrent of commentary noting that photography of things in public view cannot be prohibited except by specific ordinance, a museum spokesperson has announced that the sign was a mistake and they will be taking it down.

this does nothing to address the absurd park rule that the sculptures must not be touched. i'm sorry, but if you design (for instance) a 30-ton steel sculpture described as "interactive" for placement in a park, at what point did you determine that people's fingerprints will ruin your artwork? sure, the accumulated oils and even friction might have a visible effect (what is that, more than a quarter million fingers on opening weekend alone? maybe half a million appendages, counting the tongues of small children...), but how is this a bad thing? and as for other artworks made of stainless steel, or painted steel... that's just silly.

Friday, January 19, 2007

pesky panhandlers

the 'downtown seattle association'--essentially a private business and development group--is promoting a just-say-no to panhandlers campaign, somewhat absurdly titled "have a [heart] give smart". you can read the pamphlet they are handing out here; suggestions include "instead of giving spare change, ask a downtown MID ambassador dressed in yellow and blue to refer the panhandler to food and other resources." you can read a seattle times opinion columnist's take on the campaign here.

the issue of whether or not to give money to someone who approaches you on the street can get surprisingly complicated. it seems to me that much of what gets said on the topic has more to do with the self-conceptions of the people giving money than with the actual effects of such gifts for people who ask for money. it is another demonstration of the way that money, that ideally purely rational quantity, gets bound up in intimate emotions and constructions of self.

and since this week in class we are reading benjamin and baudelaire: baudelaire's little vignette "counterfeit" discusses the merits of handing out counterfeit coins to beggars. it's worth a read (only a page and a half; you can find it online here) both on its own merits and because it has figured prominently in subsequent writings.

audio interaction

jennifer g. sends a link to the 'acoustic survival kit.' the idea, apparently, is that tiny sound generators embedded into clothing help you to discreetly blend with the urban crowd. from the designers' [curiously poorly designed] website:

"The design of 'ask 01' is discreet. It allows you to stay unnoticed while being part of the crowd. Freed from communication, contact to the inside is established. This allows you to get conscious about communication with the outside."

this is connected to the designers' "strategy":

"Our environment is filled with noise. The border between private and public has vanished. We are exposed to the situation and not aware of it. Our intuitive reaction is either to close all windows (of your room/ of your mind) or to cover it by loud music. What is missing in our environment is the sensibility.
"Our strategy is to work with subtle sounds emitted from special clothes. A person wearing the cloth interweaves with the sounds of the environment. With the filigree sound tentacles the individual fuses with other signals and information. In this way the individual acts neither passive (closing the windows) nor dominant (play loud music) but active."

a slightly more accessible overview of the project can be found here (scroll down).

Wednesday, January 17, 2007

serious walking

i saw this article and couldn't help thinking it almost perfectly encapsulates some of the bizarre ways americans relate to their cities. sort of an apotheosis of the inevitable misunderstanding of the flaneur. i love the daring choice to forgo carrying a water bottle.

***

Sidewalks Are for Walking

By MARC BLOOM
NYT Published: June 19, 2006

IF you are not active and need some inspiration, meet your new role model: Marcy McGinnis, 56, a former senior vice president of CBS News. She stays in shape by walking around Manhattan.

Ms. McGinnis is not on a regimen, a schedule or meeting a training standard. She is not power walking but not walking aimlessly, either. Her outings encompass much more than breaking a sweat — she is attuned to herself and to her environment. Call it destination walking.

From her apartment on Central Park South at Seventh Avenue, Ms. McGinnis moves about the city on foot year round, absorbing the quirky beauty found on almost every street. Feeling invigorated and enriched, she even stops to help tourists.

"I walk around town, doing my errands, meeting a friend for lunch or dinner or doing a little shopping," she said. "I spend a lot of time on the Upper West Side. I don't take the subway or bus much anymore. The best part about walking is wearing comfortable shoes. Also, you can take your time."

Ms. McGinnis walks briskly but not in a hurry. "We spend so much time getting where we're going that we don't even see in between," she said. "If you're on a bus, you're probably looking at your BlackBerry. Walking, I sometimes play games. I look at people's faces, to see if they appear to be in another world."

Walking around the city can give you the same health benefits as the treadmill walker going nowhere. An hour's walk — on Fifth Avenue, along the Hudson River path, through SoHo or Central Park — will shed about 300 calories, if you keep a pace of at least 20 minutes a mile for three miles. Do that three or four days a week and you can lose 10 pounds or more in a year.

You will also improve cardiovascular function, reducing the risk of heart disease, said Robert H. Fitts, an exercise physiologist and chairman of the biological sciences department at Marquette University in Milwaukee. "When you start aerobic exercise like walking, the muscles have not yet acquired the ability to take on oxygen and the cardiovascular system is challenged," Dr. Fitts said. "It adapts quite rapidly in the first few weeks, resulting in lower heart rate at greater effort."

Walking for just 30 minutes a few days a week was found to increase bone density in women, lowering the risk of osteoporosis, according to a 2001 survey by the Massachusetts General Hospital Institute of Health Professions in Boston. Experts also say that walking is one of the safest weight-bearing exercises, resulting in fewer injuries than other aerobic exercises like running.

"Walking nurtures mind, body and soul all at once," said Elliott Denman, 72, a champion racewalker who competed in the 1956 Olympics. Mr. Denman, who lives in West Long Branch, N.J., regularly walks around the city from Lower Manhattan to Midtown and beyond. He stressed that walking was an easy form of exercise for most people. But he has one rule: no slouching. "Maintain an erect carriage with slight forward lean," said Mr. Denman, who has walked the last 27 New York City marathons. "Swing your arms up and back. You'll move faster and get more of a full-body exercise."

To keep a good pace without pounding the pavement, take short steps instead of long strides, said Lon Wilson, a coach and executive director of the New York Walkers Club, an affiliation of the New York Road Runners. "Walking is a pushing action, not a pulling action." He advises keeping hands open with thumb and forefinger together, as though holding a potato chip. No fists, which can tighten arms and shoulders.

Ms. McGinnis has her own rule: travel light. In her walks — from her apartment over to the East River Drive path, or to meet friends in the West 80's — she takes few essentials. "I like to stick my glasses, credit card and key in one pocket, and cellphone in the other pocket," she said, "and not carry anything."

Not even a water bottle? "Nope," she said. That is O.K., even in warm weather, as long as you are not out all day.

Mr. Wilson, who teaches walking classes for New York Road Runners, said, "You can last an hour without drinking." When you are done, he added, you should drink four ounces of water for every mile walked, or about 12 ounces an hour.

If you do take water on a walk, but still want a hands-free feeling, use a fanny pack, Mr. Wilson said. But make sure you wear it in the rear, not on your side where it can tilt your body, resulting in poor posture. For midwalk nourishment, he suggests bringing a piece of fruit, an energy bar or a bag of almonds.

Or stop for a meal. Elizabeth Segall, a 27-year-old social worker who lives in Chelsea, walks regularly from her apartment on West 23rd Street and Seventh Avenue to the Chelsea Piers sports complex at West 23rd Street and the Hudson River. She proceeds south along the river toward Greenwich Village, where she makes a left on Charles Street and meanders a maze of streets to Carmine Street to meet a friend for lunch at Grey Dog's Coffee. "It takes me 40 minutes to get to the restaurant," she said. "Afterwards, I walk to the farmers' market at Union Square, then home, more than an hour's walk altogether."

For Ms. Segall, it's bliss. "It's nice to slow things down, get away from the monotony of a gym," she said. "I get a view by the water, great people watching and a healthy meal at the Grey Dog."

Water views, from the Hudson to the Harlem River and beyond, are favored by C. A. Adler, the president of Shorewalkers, a club that stages walks along the city's waterways. "The waterways are better than walking through the woods," said Mr. Adler, a retired oceanographer, "because there's more to see, and you get a cool breeze."

Inland, on the Upper East Side, Shari Forman, a 33-year-old human-resources manager, finds other landmarks just as appealing. From her apartment on 61st Street and Third Avenue, Ms. Forman regularly walks to eat brunch at Sarabeth's Kitchen on 92nd Street and Madison Avenue, an hour round trip. Or she walks to Saks Fifth Avenue at 50th Street, 20 minutes each way. "Walking the city makes me feel less lazy," Ms. Forman said. "Just knowing that I'm getting out, moving, puts me in a better mood."

Comfort enhances mood, and running shoes are preferred over other athletic shoes, said Curt Manson, the owner of Playmakers, an athletic footwear and apparel store in Okemos, Mich. Working with the sports-medicine staff at Michigan State University in East Lansing, the store conducts a weekly injury clinic. They have found that walking injuries to the feet, knees and hip often stem from shoes that lack adequate support, Mr. Manson said. He also said that shoes with "too much cushioning" can result in an unstable gait because your feet are not secure.

Besides the physical benefits that walking provides, Ms. McGinnis says that it makes her more sensitive to other people. On a recent destination walk, near 64th Street and Second Avenue, Ms. McGinnis noticed a woman who was having trouble crossing the street. "Her cane got stuck in the road," she said. "In the past, I would have rushed by. But I told myself, 'Just stop,' and said to the woman, 'Let me help you.' "

Monday, January 15, 2007

perennial favorite pets

Something to contemplate as you read the Benjamin essays this week. It had to happen sooner or later--everything old is new again, perhaps.


NYT 8/28/06

METROPOLITAN DIARY
Dear Diary

On a recent sunny day as I was strolling up 54th Street between 10th and 11th Avenues, I crossed paths with an elderly woman who was walking ever so leisurely, in step with her unhurried, yet striking companion.

They turned heads and caught smiles, this woman and her — oh my, can it be? — enormous tortoise. A 14-pound, 20-year-old leopard tortoise named Szhou-szhou, as I learned when I stopped to ask.

What a sight. What a delight. My smile and I walked slowly back to work, forgetting for a few moments the rush of the city and hectic demands of the job.

Elizabeth Plowe

city environments

Leif W. submits this link to worldchanging.com/cities for your perusal. The site has some good resources and bit more of an upbeat take on the future of cities than many do.

Saturday, January 13, 2007

radio metropolis

A Wisconsin Public Radio show called "To the best of our knowledge" (which sounds a little bit like Matthew Arnold edited for our intelligence agency-centric era) recently produced a segment centered around several books about cities. The show starts off by interviewing Robert Neuwirth, author of Shadow Cities, and touches on other books about the San Francisco earthquake of 1906 and a number of Venetian stories old and new. You can listen after the link.

seattle variant

You can see the syllabus and read a bit about anth 469: metropolis at the University of Washington after the link. Likewise, I hope Seattle visitors will take a bit of time to explore the accumulated posts and links on this site, and get inspired to begin gathering material to contribute themselves.

Tuesday, January 09, 2007

Welcome to the UW Metropolis class!

A warm welcome to Chris Brown and his Metropolis class from the University of Washington. Chris and company will be continuing the tradition of blogging urban anthropology. We are extremely happy to have them on board and we look forward to reading their posts.